THE EPIC FORM Not only is the epic as such generally a story about the destiny of civilization, but it is a story about the dignity of individuals. Surely, this seems to be the case in _The Sagan Saga_ where Mr. Biospheres' dignity to live for the Superorganism's evolutionary word is questioned. The question arises does Mr. Biospheres write just to make money by exploiting his ability to channel these extraordinary ideas with no intention of inspiring his readers to create an evolutionary mass movement? Is his authorship really no different than that of a mediocre Christian evangelist or pretentious New Age capitalist whose language is an extension the plutocratic dystopia? Could Mr. Biospheres be the Dorian, the notorious witch hunter, who during the Middle Ages burned women at the stake who were the religious leaders and healers of their time? These were the women who during the great social upheavals of the Renaissance and Reformation were working for changes which would help the poor to gain human rights. By persecuting these women the revolutionary changes only benefitted the professional class of money makers. Could Dorian be the incarnation of the one who accused the poetess of having sex with the Horned-God Satan when really she was celibate because she could not find her intellect equal to make compassionate love with her? After men had professionalize medicine, they refused to allow women to enter the schools. Suffering people who could not afford the medical fees sought cures from the wise herbalists who still practiced the ancient ways of the Goddess. These were the women whom they burned...the women who were the guardians of the holistic healing arts who helped the poor by teaching them preventative medicine. That Dorian said he was rescuing the people from the incompetent, charlatan, and unethical witch practitioners because they were not licensed physicians. But it was the licensed physicians who were using leeches to bleed their rich patients to death (Starhawk 1982). Epic poetry occurs in humanity's development when there are new worlds to explore and new cities to build as in the time of Homer. In Stephen Bungay's book _Beauty and Truth: A Study of Hegel's Aesthetics_, he points out, "the epic is only possible under certain cultural and social conditions, and they are historical--once they have passed, they can never return" (155). Yes, Mr. Biospheres, we are the we are the turning point. If we fail in our assignment to poetize the world by educating the people about the will of the Superorganism, the opportunity will not come again to redeem our endangered species. There will either be a Solar Civilization, or none at all. By Homer's time, during the destruction of the matriarchy, there were no specific statements of what constituted right or wrong. With the break up of the matriarchy, Homer was able to break from the cultural milieu and then absorb himself in the Homeric epic. After reading Carol Christ's essay "In Praise of Aphrodite: Sexuality as Sacred," the main adversary became evident (Gray 1986, 220-227). Homer and his hatred, revenge, and war-conquering mentality, whom many believe to be the foundational epic of Western civilization, today has conquered the entire world. From its beginning to its end the _Iliad_ is a story about death. Christ shows how in the _Iliad_ the Goddess of Love, Aphrodite, is defeated by the warriors of Zeus and Athena. She sums up Homeric ethos as "Make war, not love." However, Christ states, Aphrodite's powers are divine because they are transformative. ...The celebration of Aphrodite and of Eros requires that the fundamental values of patriarchal war society be challenged. Aphrodite calls us to a transformation not only of ourselves and our lives but also of our world (226). The great poetess Sappho who lived after Homer around the seventh century B.C. was Homer's first great rival. Perhaps this is the reason why the majority of her poems were destroyed. Her poetic songs sung to the harp, told that love was the saving grace. Mary R. Beard in _Women as a Force in History_ she says that the German classical scholar Wilcher in his book _Kleine Schriften_ states that "Attic poets and playwrights tried to destroy her by attacking her as a courtesan or "Lesbian pervert"--such attracts were sheer calumny" (312). Samuel Bulter put forth his belief that Homer's _Odyssey_ was not Homer's, but was written by a young epic poetess which would explain why in the _Odyssey_ divination is not strictly done by inductive reasoning and omens as it is in the _Iliad_, but through dreams and other channels of extra-sensory perception. SLAVERY TO THE LAWS Our law has become an external bondage, rather than an internal liberation. Since only men versed in ancestor worship could know the law, the first lawyers and magistrates were the priestly authorities who also regulated the exchange of goods. In _The White Goddess_, Robert Graves explains that the word "lex" or law grew out of a sense of a "chosen word," or magical pronounce- ment. He writes, "But as soon as religion in its primitive sense is interpreted as social obligation and defined by tabulated laws--as soon as Apollo the Organizer, God of Science, usurps the power of his Mother the Goddess of inspired truth, wisdom and poetry, and tries to bind her devotees by laws--inspired magic goes, and what remains is theology, ecclesiastical ritual, and negatively ethical behavior." (479) In such an unheroic age, epic poetry is an anomaly since this shallow Apollonian view of science has destroyed people's love for the supernatural and the mythical. (Foerster 1962, vii) Jack Kaminsky in his book, _Hegel on Art_ points out that modern poets have difficulty writing epics because the government and laws are so entrenched in people's conscious behaviors that the poetic imagination is unable to break free from traditional beliefs. He goes on to say, "The epic action can be displayed only at an early stage in the development of society. During this early period there are no laws of social order, that is, written laws. Rather it is the _intuitive_ sense of right and fairness, the moral habit, the temperament, and personality, which supply the support, of such a social order. Each individual is in himself a source of morality." (146) Kaminsky obviously could not see that humanity has reached another new beginning as Sagan the son and Margulis have written about in _Microcosmos_. We are not only at the threshold of creat- ing new worlds, new life forms, and smart machines, (have you seen Terminator 2 ?), but it is imperative that we direct the emerging planetary culture in creative, ecological ways. As the nation-state mindset has outgrown its boundaries, the world is experiencing a crisis of values within the limits of the biosphere. The leading role of the epic is of vital importance to our long-term survival because it maps out the neutopian plan, what Buckminster Fuller called the design-science revolution which is outlined and expounded in Doctress Neutopia's essay, yet to find a publisher, on Bucky Fuller's vision. THE HEROIC AGE OF BIOSPHERES The conditions of conflict and collision bring about the heroic personality. Because of the demands of psychological conflict, in order for the heroic characters to emerge and realize their potential to become educators/rulers, Hegel felt war was the best subject matter for epic since war was the crime which could cause the ultimate calamity. He said that the epic could not be about any war, but must focus on a war between cultures rather than a war internal to the culture. He thought civil wars involved too much personal emotion than wars between national groups. Even though Hegel predicted the epic would be written in America because the European nations were to close together to fight such a war, he failed to see that the real cause of war, the war between the sexes would be the central theme of the future world epic. (Kaminsky 1962). It is no casual coincidence that Doctress Neutopia's _The Sagan Saga_ was written 1990 during the time of the Persian Gulf war which is one of the major themes of the poem, or that Carl Sagan's book _The Path Where No Man Thought_ was also published the same year. As we discover our unique destinies, we become part of the continuous flow of the story of the human experiment... not as an unconcerned bystanders, but as active creatressess and creators in the closing days of this self-destructive epoch. Our own experiences become synchronize with humanity in general when we attach our identities to the significant thoughts of the age. We become the Thought of the Age. Harvy Bieenbaum in his book _Myth and Mind_ writes, "In all religions, the prophets and mystics teach out of the intensely known imagery of their own revelations." (Birenbaum 1988, 10) It is divine possession and inspiration which makes epic poetry great, not the poetic skill of the individual writer. Like Son, like Father... both Carl Sagan and Dorion Sagan have seem to have reject and ignore the poetic women of their lives. The epic concludes that male refusal to listen to female voices of wisdom is the primary reason why there is war in the world. It is also no meaningless coincidence that the war of 1990 the epic chose to center around was a war which became the testing ground for the most advanced war technology fought in the Middle East, at the Fertile Crescent, the birth place of "civilization." It is no small irony that our salvation lies in building biospheres of solar-powered peace and that _Biospheres Metamorphosis of Planet Earth_ was published the same year as _The Path Where No Man Thought._ To quote Bruce Watson interviewing Lynn Margulis and Dorion Sagan for the Amherst Bulletin 8/9/91, "And given the drive to spread the genes around, how did monogamy ever climb the evolutionary ladder? It began, suggest Margulis and Sagan, when males ordered their fertile mates out of the gene pool and into the cave." Can it be that Mother and Son cannot see it was the Ice Age which drove our forebears into the caves, not males wanting to keep their females to themselves? It is the global warming which is pressuring our species to build biospheres. Doctress Neutopia's _The Sagan Saga_ tells a profoundly beautiful story that could end the nuclear arms race. Matthew Fox writes in _Coming of the Cosmic Christ: The Healing of Mother Earth and the Birth of a Global Renaissance_, "Wisdom often comes via the creative spokespersons of a culture, in the handing down of the stories, sagas, myths, and images from the past and from the future." (21) During the Middle Ages, saga meant a female sage who created sacred poetry. But, over time, saga became a synonym for witch. The definition of metamorphosis in the _Random House Dictionary of the English Language,_ is "a complete change of form, structure, or substance, as transformation by magic or witchcraft." (1987) Therefore, the epic poetess had become the Queen of Spells who, ironically enough, Apollo had given the gift of second sight. The hero is Nature's supreme gift, a force sent by the Superorganism, with which the saga awakes his inner spirit to act valiantly on behalf of all humanity. In _A Path of Where No Man Thought_, Dr. Sagan's final solution to end the nuclear arms race is that we must realize the ancient truth, "When we kill our brother, we kill ourselves." What about the majority of the species? Does Dr. Sagan suggest sisters are immune to the heat of the atomic blast? The ancient truth we so desperately need is the alchemical knowledge to fuse together the two halves, not to divide them. The war between the sexes is the most brutal and insidious of all wars because it has broken the heart, destroyed the meaning and evolutionary purpose of sex. The men who will not live to what they write are our most cruel and barbaric enemy, destroyer of the World of Miracles, torturing me and all women with a pain much more severe than any physical infliction could ever be, punishing me and all females with the worst punishment in all creation...that is, compelling us to watch this wonderful planet parish because you can't find the secret of love with me and all other women. Dorion and Carl Sagan we are inextricably connected with each other in this struggle to rescue Gaia. Only you with me can stop this eternal torment, and clean up this wasteland so that we and generations to come can inhabit the Earth, not by turning our backs to each other, but by loving each other. Oh, yes, it would be easy to hate you, but it is difficult to forget the moments of profound communication between us that raised my hopes and eased the acid which had started eating me up inside threatening my love even for my enemy, the man whom I most needed to love and admire. THE POWER OF THE LOVOLUTION If only the Sagans could see the splendor of the epic and be lovolutionized by its miraculous grace! Thompson writes, "When we have moved beyond the desolation of all our male vanities, from the stock market to the stockpile of rockets, we will be more open and receptive. Open and bleeding like that archaic wound, the vulva, we will be prepared to receive the conception of a new civilization." (Thompson 1981, 250) But I must ask the thought no person would want to think: could it be interpreted that the Sagans have a stake in the military/industrial economy since they are part of the scientific elite? Is their co-dependent situation with nuclear winter a barrier to pursuing the visionary path which Cassandra sees? Will the Sagan become the anti-heroes by repeating the same historical tragic mistakes of the past? All inter-human tragedies are tragedies of love. Both Father and Son are scientifically aware, as are all informed people, that it is not only Troy which will burn this time around, but the entire world. The epic poetess is no mere historian. Through the imagina- tion, the mythopoetess fills in the missing parts of external events, erasing disorderly trivia, while emphasizing the organic unity to make a holistic world view. The content, not the form is important to epic, which is the reason why the poem can be translated into other languages or even prose without losing its pedagogical impact to awake a greater moral order than ever before. Once the crisis has passed and society stabilizes, poetesses and poets are free to explore their inward voices through the form of lyric poetry. But the epic has a political, or what Doctress Neutopia calls an artitical task combining art and politics to transform the planet into the One World Consciousness, a united species within the biosphere. Artitics combines art and politics to make governance into the art of life. The mythopoetess' intuitive vision of the future makes her the effective directress of the species. Hence, the epic inspired by Eros, articulates the ecological ethos in which a new form of good and virtuous action can evolve. The mission of the epic is to make love the ultimate underlying substance which it is-- teaching human beings the way to behave in order to achieve happiness. Without love pulsating from the Superorganism throughout the wo/man mind, we will not merit passage to the universal inward wilderness from where the power can be drawn to enlighten the masses. In Nona Coxhead's book _Mind and Power_, she quotes Charles Muses, Director of Research at the Centre de Recherches en Mathematiques et Morphologie in Switzerland, "The restoration of love is a prime value in reason as well as in feeling..(only then) will the horrors of war, political oppression, ecological pollution, psychological blindness, and unbalance be overcome." (Cox 1976, 223) Consequently, the fate of the biosphere lies in the choice of single men to be true or false to themselves. Jean Dalby Clift writes in _Symbols of Transformation in Dreams_, "Hero myths could be said to be creation myths in microcosm, for they are stories about the task of creation within the individual. The individual may serve the whole society--that is often the case for important cultural heroes, but the task is one the hero accomplishes within. The hero may have help, but ultimately an inward integration must take place." (Clift 1984, 52) The task of the hera is to give the romantic hero the opportunity to love by building a planetary movement through the combination of their ideas. I use the word, hera, instead of heroine, because Hera meant Earth which could have also been a cognate of Hiera meaning "Holy One," a title used by ancient goddess-queens who ruled in her name. According to Barbara Walker in _The Woman's Encyclopedia of Myths and Secrets_, "Philostratus said Homer refused to mention Hiera in the _Iliad_ because she was so great as to outshine Homer's heroine, Helen." (392) Hera, another name for Gaia, was much older than Zeus. She gave ambrosia to the Gods, the food of immorality. Hellenic writers made her like all the other Goddess subordinate to Zeus. She was forced to marry Zeus in order to leave the south-side of Chicago. But Gaia was science's unruly Earth Mother and had to divorce him in order for her magnificent hypothesis to flourish since he was unwilling to see her theory was universal love. Their stormy marriage represented the ultimate struggle between the patriarchal and matriarchal worldviews and the lack-of-partnership perspective. In ancient Greece the hero was one who gave his life to hera. The term hero was synonymous with ghost. Through love he finds the way to actualize his potentialities in service to the Superorganism. The epic hera and hero are the personification of abstract ethical theory into concrete practice, the embodiment of the Gaia Messiah which any rational person would want to model themselves after since we all have the capability to incarnate the deities. In other words, Sagans you have been chosen--double Gaia Messiahs. What could be more powerful than billions and billions and billions of glistening sons! "The human calling is to respond to Life here and now so that life on this planet may be liberated from the forces of death that now threaten it." (Birch and Cobb 1981, 202) If you respond to the ultimate call of the life-force, all the forces of the unconscious will assist you in the almighty undertaking. C. G. Jung writes in _Psychology and Alchemy_, "in so far as the hero's act coincides with that for which his society itself is ready, he seems to ride on the great rhythm of the historical process. (72) "Live," Nietzsche says "as though the day were here. It is not society that is to guide and save the creative hero, but precisely the reverse." _The day is here._ The junos and geniuses have always been the savioresses and saviors of the world. One of the most difficult tasks of the epic poetess is to create the proper balance between the free will of the hero and the grasp of fate upon the hero's life. Kaminsky states, "Too much emphasis on fate makes the hero a mere puppet and, therefore, his heroic qualities are lessened. After all, anyone can win a battle if the gods guarantee it. Too much emphasis on freedom makes the hero too human, and then we question his right to be an exemplar of moral virtue." (Kaminsky 1962, 149) However, the consequences of the hero's choice can ever be changed. It is indeed true that Gaia has given us free choice, to continue destroying the cosmic garden by ignoring the words of the prophetess or to nurse us back to health through our erotic mysticism of each other. Dr. Carl Sagan writes, "The resistance to dire prophecy that Cassandra experienced is equally stubborn today. Faced with an ominous predication involving powerful forces that may not be readily influenced, we have a natural tendency to reject or ignore the prophecy. Mitigating or circumventing the danger might take time, effort, money, courage. It might require us to alter the priorities of our lives." (Sagan and Turco 1990, 14) Margulis says that we can ignore the past even though we can't escape it. How long will they continue to ignore their ancient past when they split up at Delphi? When will they learn to share the stage and open up to the guidance of Gaia's prophetic daughters and sons? Halting the nuclear arms race, today's despicable Homeric theomachy, absolutely requires us to alter our lives! The global changes which must be made are beyond the paradigm of the dollar, beyond the dualism of the Newtonian worldview, beyond the patr- iarchal God and the incestuous mother/son relationships, and beyond the image of nuclear family housing which I have written about in my unpublished papers, "Research on Child Perspective of the World: How Children Visualize Home" and "Where is Home? A Study of an Archetype." Peace demands men stop being square husbands, which means "one bonded to the house", and become the oracular prophets of Gaia...the Gods who love with all their strength the Goddesses of the new psychic and physical architecture...biospheres, the Womb of Creation. Mr. Biospheres writes, "Biospheres, in other words, could help advent the potential for world war by expanding habitable territory, by marrying technology and ecology into forms that transcend--and thus reestablish--the very limits of human beings." (Dorion Sagan 1990, 121) In _Hegel on Art_ Kaminsky says that in modern novels the heroic individual is shown only in the social sense. Once he has won his place in society then he, like most of his fellow men, discovers a maiden, gets married, and becomes as philistine as the rest of his middle-class neighbors. And so the "true romantic spirit is dead," killed by the commercial world of real estate which has no understanding of the mystical, radical, and super- natural nature of biospheres. Similarly, in works by female novelist, after the hera's rebirth journey and the romantic task is accomplished, she is not fully accepted within the patriarchal society. In the majority of these novels, the hera is unable to transform the male sterility cult and so she goes crazy or dies at the hands of a wife-beating husband. (Luater and Rupprecht 1985, 104) In order for romantic love to be resurrected a new/ old inner relationship between woman and man, the Gaia Messiah-- the doves of the paradigm shift--needs to crown all. WILL THE MEN ACCEPT THE CRUCIAL GIFTS? At this crucial time of the utter necessity of metaphysical sex, Elizabeth Dodson Gray asks in her book _Green Paradise Lost_, But the question now is whether we--especially males--can accept the giver of new symbols, new metaphors, and new modes of viewing reality _if_ the giver is _Woman_. Can the male give up his old monopoly on the role of decisive gift- giver? Can he share with Woman the role of image-maker in the culture? Even beyond that, can Man find in himself the open hand to receive a new image to complement his own when the given is the Other? Even if his life depends upon it?" (117) May I add, even if the planet depends upon it? Doesn't Sagan wish to receive any more of Pandora's original gifts? Doesn't he want to read my love epic? Does he have a lack of curiosity or is he afraid he might learn something? A decade and a half ago Doctress Neutopia wrote manuscripts of poetry, still unpublished entitled _Revolution Around The Sun_, _Visions of a Love Leader,_ and _The Peace Phenomenon_ which foreshadowed this whole cosmological need for love. But, Dorion Sagan and Margulis could not even comment on Doctress Neutopia's art show, Planit Water, held at the University of Massachusetts Student Union Art Gallery. In fact, they avoided discussing my neutopian formulae on how to construct a Gaian civilization. Where do they find their insights on the reproduction of the planet if they don't chose to dialogue with interested scholars? Can they think a sexless technological birth can occur without the erotic wisdom of Woman? Aren't they aware that there is no hiding place when the Superorganism knows all our thoughts and actions? Dare they defy the cosmic imagination! How shameful that they have treated a woman, a seeker with so little respect...But there is an ironic twist to this divine madness. If Dorion had accepted Doctress Neutopia two years ago when the energy first manifested itself between them, this love epic to end the nuclear arms race and the environmental holocaust would have never been written. I would have never have known this unfathomable love! To show the way the Superorganism works, from my own personal experience two decades ago my first great metaphysical lover, Walker Rucker, sent me one postcard during his short tragic life. He died because our insensitive society did not know how to nourish, honor, and liberate his genius. Consequently, Walker was consumed by his negative anima which is extremely dangerous to society because genius gone bad turns into a demon. Walker sent the card to me while he was working as a classicist at the British Museum. The card was of an image of a ancient Greek pot. Painted on it was Apollo sitting on the tripod at Delphi. I never knew until this past month when I started doing this research what a profound message Walker had given me those decades ago. According to Jung, synchronicity is a metaphysical phenomena which happens outside of time. This seems to be the case with Walker's postcard to me. I realized the card was a presage about the transformation of the human race! Apollo, be transformed! In your present incarnation, take me into your light beams, and as Eros we can together bring alive my X-rated dreams! The last poem of Amherst poet, Robert Francis', life was written in 1987. It reads: Someone is Running Someone is running From or to? You wish you knew But need you know Why of the running Unless it is someone Close to you? Stop running, Eros, it is not just your life which depends on this happening, but all eukaryotic life! GAIA'S COMMANDMENT IS SYMBIOTIC PARTNERSHIP!!! I am still waiting to receive your essay on world ethics which you promised to give Charles so that I could read it. If you feel you cannot hand it to me in person, then send it through the mail, or write a postcard as we where I can find it in print. Please, Mr. Biospheres, have sympathy for this romantic extremist! I am a thirsty woman! How can you sit back and watch me pass out from dehydration while calling yourself a philosopher? WE HAVE A PROBLEM WITH ETHICS? Not when their is love between the sexes, for what would be our humanity if love were not the nexus from generation to generation, from the act of conception until death do us part: life is an ethical outgrowth rooted in everyone's heart. The line in this stanza of _The Way to Neutopia_ which needs to be corrected is "until death do us part." As Giordano Bruno stated there is "no death in nature, only change", so I change the line to: until our bodies do us part. We will meet again, Eros, maybe not in this life time, but somewhere in the vast microbial recycling. Let me remind you of your words in _Biospheres_, "in evolution, a perfect match is not for life but forever; symbiotically merged beings begin to compete with their own kind, and in their own right." (116) It seems that you too need to change some of your old concepts. It is not competition with our kind we need in order to survive, but cooperation with each other. If we are not the ones who need to band together, who is? I shiver to think how many billions of years of evolution was required before Gaia could provided us with the perfect evolutionary match. Please recall your words in _Microcosmos,_ "We study the microcosm--the age-old world of microorganisms--to discover life's secret mechanisms so that we can take better control, perhaps even "perfect" ourselves and the other living things on the earth." (13) How will we know the ethical direction to take to perfect ourselves without understanding the nature of true love? Paul Devereux, John Steele, David Kubrin write in their book, _Earthmind: A Modern Adventure in Ancient Wisdom_, "If we are to put a halt to the destruction of our planet, we--the present generation--need to find out soon whether communication between human and planetary consciousness is truly a possibility. If contact can be made, and it can be a conscious, interactive contact, we shall have to learn how to interpret the information that Earth itself may give us." (202) At the beginning of July, I received an inspiration to hold a ritual in honor of the Super- organism. Throughout the course of the human experiment, during times of crisis, people have come together to seek guidance from the Supreme Beings. Right now at the university there is an international symposium on photosynthetic prokaryote. I had no conscious idea that there would be this intense focus on the prokaryote in Amherst the week of the ritual, but obviously the Superorganism wanted that ritual held. Mr. Biospheres, you have been caught in the Spider Woman's holy web of life...she has seen you nude. To not change is impossible. The path where not man thought is _The Way to Neutopia_. Beloved counterpart, even Zeus is in awe of Eros! Even Dr. Carl Sagan, who _Parade_ magazine named one of the smartest people in America along with that idiot warmonger President George Bush, is smart enough to know that only the critical mystery of love can save sex and libido from extinction. True love instead of world war, Doctress Neutopia BIBLIOGRAPHY Ausband, Stephen C. _Myth and Meaning, Myth and Order_. Macon, GA: Mercer University Press, 1983. Aziz, Robert. _C. G. Jung's Psychology of Religion and Synchronicity_. Albany: State University of New York Press, 1990. Beard, Mary R. _Women as a Force of History_. 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