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#Post#: 80--------------------------------------------------
The Power Of Fiction
By: Althulas Date: January 27, 2018, 6:31 am
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“We read books to find out who we are. What other people, real
or imaginary, do and think and feel – or have done and thought
and felt; or might do and think and feel – is an essential guide
to our understanding of what we ourselves are and may become… A
person who had never listened to nor read a tale or myth or
parable or story, would remain ignorant of his own emotional and
spiritual heights and depths, would not know quite fully what it
is to be human. For the story – from Rumpelstiltskin to War and
Peace – is one of the basic tools invented by the mind of man,
for the purpose of gaining understanding. There have been great
societies that did not use the wheel, but there have been no
societies that did not tell stories.” ― Ursula K. Le Guin,
The Language of the Night: Essays on Fantasy and Science Fiction
This comment made by Le Guin in Language of the Night tells of a
truth that I think many authors don’t think about. Oh, all admit
to the power of words, but they never seem to see the power of
their words. The effect that they can and do have upon another's
life. And I want to talk about it because I feel, not only as a
writer but as an aware reader, that it is important for authors
new and experienced alike to know, to understand the words they
put out there.
In many ways it goes beyond just being politically correct or
even responsible, but instead goes into a place most writers I
think fear - a place of understanding that as a writer you have
a power that is as great as any world leader - you in your comfy
chair, high on coffee and dreams are and can change a life not
your own with a single paragraph. Now that is power and a power
that needs to be used wisely.
Now you may think that I am being a little pedantic, trust me I
am not. What Le Guin spoke of in the quote above has been
scientifically proven by more than one set of people so I am
personally inclined to think that they are at least onto
something...
The Power of Fiction
To fully understand the power of fiction I am going to go way
back, back to the very start of it all (as far as we can tell).
As Fantasy writer by heart, I have spent some time looking back
and finding out how the genre started because it is by far the
oldest form of fiction. As long as well have been, we (humans)
have been telling tales of monsters and the heroes that fight
them.
It all starts with Mythology, from the Greek ‘mythos’ meaning
story-of-the-people, and ‘logos’ for word or speech, the spoken
story of a people, is a collection of often sacred tales or
fables of a culture that deal with being human. Good, evil, our
origins, life, death, the afterlife, the underworld, and the
gods. Whatever the subject, myths have been used to warn of
dangerous we did not yet understand, to speak of morality and to
help us remember our histories and the beliefs and values held
by a culture or a people.
We have since the dawn of time passed down information about our
lives and cultures through tales and fables (you have to admit
they are more interesting than boring old history) and it has
left a mark upon us as a race. We are now hardwired to learn
information better when shown it in a story like form -
[quote]“The "human mind is a story processor, not a logic
processor," says Jonathan Haidt. Certainly, we use logic inside
stories better than we do outside. Leda Cosmides and John Tooby
have shown that the Wason Selection Test can be solved by fewer
than 10% as a logic puzzle, but by 70-90% when presented as a
story involving detection of social-rule cheating. “[/quote] -
It Is in Our Nature to Need Stories
[quote]“Nature shaped us to be ultra-social, and hence to be
sharply attentive to character and plot. We are adapted to
physiologically interact with stories. They are a key way in
which our ruly culture configures our nature.”[/quote] - It Is
in Our Nature to Need Stories
[quote]“So powerful is our impulse to detect story patterns that
we see them even when they're not there.
In a landmark 1944 study, 34 humans – Massachusetts college
students actually, though subsequent research suggests they
could have been just about anyone – were shown a short film and
asked what was happening in it. The film showed two triangles
and a circle moving across a two-dimensional surface. The only
other object on screen was a stationary rectangle, partially
open on one side.
Only one of the test subjects saw this scene for what it was:
geometric shapes moving across a plane. Everyone else came up
with elaborate narratives to explain what the movements were
about.”
[/quote] - The Art of Immersion: Why Do We Tell Stories?
The above extracts show that as humans we need stories to
understand the world around us; to the point where we create our
own narrative if one is not supplied. Stories are what we use to
decode our society, our cultures and our religions. They are as
important to the fabric of our world as economics, technology or
anything else that you might think of.
Now you might think that this only works when used in terms of
age-old tales or ones that are connected to your specific
culture and it certainly doesn’t have anything to do with your
current WIP. Well... no. It is a function of our brains to
connect with and internalize the events of a story -
[quote]“It is quiet and dark. The theatre is hushed. James Bond
skirts along the edge of a building as his enemy takes aim. Here
in the audience, heart rates increase and palms sweat. I know
this to be true because instead of enjoying the movie myself, I
am measuring the brain activity of a dozen viewers. For me,
excitement has a different source: I am watching an amazing
neural ballet in which a storyline changes the activity of
people’s brains... As social creatures, we depend on others for
our survival and happiness. A decade ago, my lab discovered that
a neurochemical called oxytocin is a key “it’s safe to approach
others” signal in the brain... More recently my lab wondered if
we could “hack” the oxytocin system to motivate people to engage
in cooperative behaviours.
To do this, we tested if narratives shot on video, rather than
face-to-face interactions, would cause the brain to make
oxytocin. By taking blood draws before and after the narrative,
we found that character-driven stories do consistently cause
oxytocin synthesis. “
[/quote]- Why Your Brian Loves Good Storytelling
So when you write that likeable character and your readers
report back to you a “connection” they are literally feeling an
emotional connection to that character. Not only that but due to
the nature of oxytonic we feel a level of trust with that
character and in turn that trust goes to the author because when
engaged with a story we are placing ourselves in your hands.
Quite literally in many ways because what we read stays with us.
We are allowing you to change us with every page we read -
[quote]“...a story must first sustain attention – a scarce
resource in the brain – by developing tension during the
narrative. If the story is able to create that tension then it
is likely that attentive viewers/listeners will come to share
the emotions of the characters in it, and after it ends, likely
to continue mimicking the feelings and behaviours of those
characters.”[/quote] - Why Your Brain Loves Good Storytelling
The chemicals involved in our feelings towards stories goes
further still when talking about a certain alcoholic drinks ad
this was said about the effects of a well-developed story has on
a person -
[quote]“Storytelling evokes a strong neurological response.
Neuroeconomist Paul Zak‘s research indicates that our brains
produce the stress hormone cortisol during the tense moments in
a story, which allows us to focus, while the cute factor of the
animals releases oxytocin, the feel-good chemical that promotes
connection and empathy. Other neurological research tells us
that a happy ending to a story triggers the limbic system, our
brain’s reward centre, to release dopamine which makes us feel
more hopeful and optimistic.”[/quote] - The Irresistible Power
of Storytelling as a Strategic Business Tool
In effect, you are drugging us (admittedly with our permission)
but still... we are hooked, people who say they can’t put a book
down quite possibly can’t. I know that I am in many ways
addicted to the feeling that comes with reading a really
well-told story. It is why I read... I always want to experience
that feeling again and again and yet again. But when see beyond
just as a reasoning for how we feel about books and movies or
any sort of storytelling medium we realise that our very systems
are causing us to be open, receptive, trustful and then pleased
by what you are saying and it doesn’t matter much what form it
is in. It can be a non-fiction story or the most ridiculous of
fantasies.
On we go further down the rabbit hole, not only do we react on a
chemical level to the stories we are told we react on all levels
to the story that we are being told. What the character feels,
we feel (in a way) -
[quote]
“When we tell stories to others that have helped us shape our
thinking and way of life, we can have the same effect on them
too. The brains of the person telling a story and listening to
it, can synchronize, says Uri Hasson from Princeton:
“... the volunteers understood her story, and their brains
synchronized. When she had activity in her insula, an emotional
brain region, the listeners did too. When her frontal cortex
lit up, so did theirs. By simply telling a story, the woman
could plant ideas, thoughts and emotions into the listeners’
brains. Anything you’ve experienced, you can get others to
experience the same. Or at least, get their brain areas active,
too:
HTML https://blog.bufferapp.com/wp-content/uploads/2012/11/Screen-Shot-2012-11-27-at-5.58.21-PM.png
HTML https://blog.bufferapp.com/wp-content/uploads/2012/11/nytimes.jpg
[/quote]
” - The Science of Storytelling: What Listening to a Story Does
to Our Brains
Beyond that, if deep enough into a story we become a part of
that story -
[quote]“A story is immersive when it effectively induces a
deictic shift, which is the moment when you assume a viewpoint
of one of the characters of the story, and you forget yourself.
They’ve done MRI scans on the brains of people watching movies
and they say cinema is the closest we get to dreaming with our
eyes open. The lateral prefrontal cortex, the part of the brain
responsible for self-awareness, it goes dim. You forget your
body, the theatre, your chair. The mind is free from the
confines of the body, and that is when you enter the liminal
trance state.”[/quote] - Curating Awe In A World Of Endless
Miracles
Or... -
[quote]“...But it’s also worth pointing out which brain areas
didn’t “tick together” in the movie theatre. The most notable of
these “non-synchronous” regions in the prefrontal cortex, an
area associated with logic, deliberative analysis, and
self-awareness. (It carries a hefty computational burden.)
Subsequent work by Malach and colleagues has found that when
we’re engaged in intense “sensorimotor processing” – and nothing
is more intense than staring at a massive screen with Dolby
surround sound – we actually inhibit these prefrontal areas. The
scientists argue that such “inactivation” allows us to lose
ourself in the movie:
Our results show a clear segregation between regions engaged
during self-related introspective processes and cortical regions
involved in sensorimotor processing. Furthermore, self-related
regions were inhibited during sensorimotor processing. Thus, the
common idiom ”losing yourself in the act” receives here a clear
neurophysiological underpinnings.”[/quote] - The Frontal Cortex,
Watching Movies, Science Blogs.
To summarise my point - we are designed, created, have become
wired to be open and receptive to the emotive moments and habits
of the characters within the stories we read, see or hear. Not
only that but when we become engaged we are assuming a role
within the story. We are, in the moment of reading, actively
open to the idea, ideals, thoughts, feelings and emotions
presented in the work we are reading.
This means, that as writers we need to keep that in mind. We
can’t say that the effects will fade, or that it doesn’t matter
because what we read today, what we grow up reading effects us
and stays with us. Who reading this hasn’t read at least one
book they know was life-changing?
But the truth is that every book is live changing whether it
consciously stays with you or not. So there is no escape from
the reality of the power that Fiction holds.
Our words will affect the future of the world as each person
takes the effects of what they read out into the world. And that
is both a very scary thought and one that gives me hope for the
future because storytelling can be used to allow a more loving,
generous, kind and empathetic side of people to show. It lowers
our guards and allows us to let others in, to see and understand
their lives.
As writers we have a responsibility, no, a moral right, to make
sure that what we put into our work is something that can make
this world better and the future brighter. Anything else will be
an abuse of the power that we have chosen to take up. We are
storytellers... let us be great ones that have left this world
in a better shape than how we found it, one reader, at a time.
Now I leave you with a single question :
How will what you say affect the world?
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