DIR Return Create A Forum - Home --------------------------------------------------------- Herricks Highlander HTML https://highlander.createaforum.com --------------------------------------------------------- ***************************************************** DIR Return to: Features ***************************************************** #Post#: 81-------------------------------------------------- Peli, Paranoia, & Paranormal Activity (Mehrab Ahsan ‘13) By: SharonShaji Date: October 26, 2012, 12:57 am --------------------------------------------------------- Thud. Crash. Screech. The things we hear, specifically at night time, become personified into the demonic workings of our inner monsters. But, is that harmless creaking we hear while home alone really because of the rusty ventilation that our parents need to get fixed? Or is there another force working in the process? For some, the answer is yes. But for me, I’m still not entirely sure. Though, I am certain that the doubt becomes even hazier after every “Paranormal Activity” movie I watch. The “Paranormal Activity” franchise, originally produced upon a completely economical budget by director Oren Peli, goes into a place in our minds where most movies have yet to venture: the “could this actually happen to me” area. Peli ingenious idea of sewing together a cheap, video-camera-style lens with an omnipresent view of the setting makes movie goers feel like both on-lookers and vulnerable victims. As we watch a strangely real series of events occur at random intervals of the day, we can help but shudder when enigmatic occurrences take place. The real trick to the movie’s magic is the “paranormal” activity that occurs within the homes of the protagonists that we both cheer for and sneer at. Each movie creates a slow progression of mystifying sequences, each outdoing the previous one. The franchise works with this inexplicable quality to create strange thumps in unoccupied rooms, televisions that turn on randomly, doors that slam themselves shut, and even invisible figures that run around the house. Utilizing the paranoia of viewers, Peli develops another layer of fear with ouija boards spontaneously combusting to little girls being dragged out of beds in distorted positions. This shocks factor leads into the final stage of fear: possession. Peli creates an air of terror when each protagonist (Katie in the first, her sister, Kristi, in the second, and children Katie and Kristi in the third) becomes affiliated with demonic powers. This affiliation climaxes the movie with the biggest fright most viewers can imagine: monsters and demons dragging innocent victims into secluded areas to be eaten or possessed. The rampaging, possessed demonic hosts promptly murder all other secondary characters through means of snapped necks and brutally crushed lungs. Though the movies are surprising and frightening, the real renown of such films is for the psychological trauma created after watching the movie. Being home alone no longer means getting the alone time we crave, but rather it turns into a battle to avoid all ghosts and ghouls residing within our homes. Sleeping in the pitch black gloom of the night becomes a suspenseful drama with potential invisible demons running around our unattended kitchens and living rooms. Peli masterfully creates a kick of paranoia by targeting our psyches. My guess is that the very personal style of filming creates a level of intimacy and familiarity among viewers that cause us to emulate the terror felt by characters in the film. But don’t let the potential psychological trauma scare you. These movies are a great way to spend a boring Saturday night and are definitely worth your buck. *****************************************************