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       #Post#: 81--------------------------------------------------
       Peli, Paranoia, & Paranormal Activity (Mehrab Ahsan ‘13)
       By: SharonShaji Date: October 26, 2012, 12:57 am
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       Thud. Crash. Screech.
       The things we hear, specifically at night time, become
       personified into the demonic workings of our inner monsters.
       But, is that harmless creaking we hear while home alone really
       because of the rusty ventilation that our parents need to get
       fixed? Or is there another force working in the process? For
       some, the answer is yes. But for me, I’m still not entirely
       sure. Though, I am certain that the doubt becomes even hazier
       after every “Paranormal Activity” movie I watch.
       The “Paranormal Activity” franchise, originally produced
       upon a completely economical budget by director Oren Peli, goes
       into a place in our minds where most movies have yet to venture:
       the “could this actually happen to me” area. Peli ingenious idea
       of sewing together a cheap, video-camera-style lens with an
       omnipresent view of the setting makes movie goers feel like both
       on-lookers and vulnerable victims. As we watch a strangely real
       series of events occur at random intervals of the day, we can
       help but shudder when enigmatic occurrences take place.
       The real trick to the movie’s magic is the “paranormal”
       activity that occurs within the homes of the protagonists that
       we both cheer for and sneer at. Each movie creates a slow
       progression of mystifying sequences, each outdoing the previous
       one. The franchise works with this inexplicable quality to
       create strange thumps in unoccupied rooms, televisions that turn
       on randomly, doors that slam themselves shut, and even invisible
       figures that run around the house. Utilizing the paranoia of
       viewers, Peli develops another layer of fear with ouija boards
       spontaneously combusting to little girls being dragged out of
       beds in distorted positions. This shocks factor leads into the
       final stage of fear: possession. Peli creates an air of terror
       when each protagonist (Katie in the first, her sister, Kristi,
       in the second, and children Katie and Kristi in the third)
       becomes affiliated with demonic powers. This affiliation
       climaxes the movie with the biggest fright most viewers can
       imagine: monsters and demons dragging innocent victims into
       secluded areas to be eaten or possessed. The rampaging,
       possessed demonic hosts promptly murder all other secondary
       characters through means of snapped necks and brutally crushed
       lungs.
       Though the movies are surprising and frightening, the
       real renown of such films is for the psychological trauma
       created after watching the movie. Being home alone no longer
       means getting the alone time we crave, but rather it turns into
       a battle to avoid all ghosts and ghouls residing within our
       homes. Sleeping in the pitch black gloom of the night becomes a
       suspenseful drama with potential invisible demons running around
       our unattended kitchens and living rooms. Peli masterfully
       creates a kick of paranoia by targeting our psyches. My guess is
       that the very personal style of filming creates a level of
       intimacy and familiarity among viewers that cause us to emulate
       the terror felt by characters in the film. But don’t let the
       potential psychological trauma scare you. These movies are a
       great way to spend a boring Saturday night and are definitely
       worth your buck.
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