[HN Gopher] 1-Bit Hokusai's "The Great Wave" (2023)
___________________________________________________________________
1-Bit Hokusai's "The Great Wave" (2023)
Author : stephen-hill
Score : 588 points
Date : 2026-04-22 13:46 UTC (4 days ago)
HTML web link (www.hypertalking.com)
TEXT w3m dump (www.hypertalking.com)
| usrnm wrote:
| It's insane, how far our industry has come in less than a single
| human lifetime. I wish I could see what will become of it in a
| few centuries.
| walrus01 wrote:
| It's also kind of insane how rapid the capabilities and tech
| grew in just a short 10-year span in an earlier period. The B&W
| mid 80s Mac art style of this reminded me of approximately the
| same era...
|
| For example right now if you had a $3000 desktop PC (sans cost
| of monitor) that was built in 2016 it would probably still be a
| fairly capable Linux workstation.
|
| If you went from 1986 --> 1996 the tech jump in equivalent cost
| would be something like a 12 MHz 286 with EGA video card, a few
| MB of RAM, a MS-DOS CLI environment to in 1996 being a Pentium
| 66 MHz+ or AMD equivalent with significantly more RAM, a SVGA
| video card, tons more I/O, PCI slots, running Windows 95 or an
| early Linux distro, and just a whole world more capability. The
| 286 would be quite obsolete and barely useful for anything.
| TacticalCoder wrote:
| > ... or example right now if you had a $3000 desktop PC
| (sans cost of monitor) that was built in 2016 it would
| probably still be a fairly capable Linux workstation.
|
| Oh totally. I've got an actual workstation, with ECC mem,
| from 2015 and a Xeon with 14 cores / 28 threads (tbh I think
| that CPU alone was worth more than $2 K back then) and it's
| still plenty quick. I use that old workstation a server
| though and my "workstation" is a much more modern AMD 7700X
| (not the latest or quickest CPU by any mean but it's already
| quite beasty).
| itsthecourier wrote:
| somebody explained me that the correct way to appreciate this
| painting is to invert it on horizontal axis.
|
| the reason is, japanese is read from right to left.
|
| once you invert it you can appreciate it better
| pavel_lishin wrote:
| Doesn't this assume that people (in the west, at least)
| "perceive" paintings from left to right? That doesn't strike me
| as particularly true.
| recj wrote:
| Doesn't strike me as particularly true either.
| ggsp wrote:
| Look up "spatial agency bias" and "glance curve"
| lioeters wrote:
| This is taught in graphic design, how people typically scan
| information from left to right and top to bottom, in cultures
| where the written language flows in that direction. However,
| a counter argument could be made that people perceive
| paintings differently from the way they read written text.
| There have been studies about how the Japanese perceive
| images and sounds with the same area of the brain that
| processes language, in contrast to other cultures where
| they're processed separately. [citaion needed]
| rafabulsing wrote:
| I thought I'd be unimpressed by the mirrored version, but I
| can say that for myself, it really did have a different feel
| to it.
|
| I've always pictured the boats moving right, sliding down, as
| if surfing the wave.
|
| The mirrored version makes it clear that, no, they're going
| _against_ the wave, which makes it that much more of a scary
| situation!
|
| Now, having noticed that, I see how the position of the
| rowers in the boat would be enough to deduce that. But still,
| it goes to show that (at least for me, personally, in this
| specific case) the mirroring really did bring a more
| intuitive feel for what the artist was trying to represent.
| andsoitis wrote:
| Yes. Several references argue for that:
|
| - Art Institute of Chicago
| (https://www.artic.edu/articles/1139/10-things-to-know-
| about-...)
|
| - Daily Art Magazine (https://www.dailyartmagazine.com/great-
| wave-hokusai/#:~:text...)
|
| - Wikipedia (https://en.wikipedia.org/wiki/The_Great_Wave_off_K
| anagawa#Re...)
| recj wrote:
| Japanese characters are actually written left to right, but
| sometimes the page order is right to left. Writing that you
| might find on a website, e-mails, and scientific writing is
| typically actually written left to right. While these kinds of
| texts may have pages that are ordered from right to left, the
| text on the pages is typically written from left to right. It
| is typically only when text is written vertically (yokogaki)
| that it is written in columns going from right to left, and in
| that case, the characters are read top to bottom.
|
| Sources: [1] https://www.lingocommand.com/japanese/writing-
| systems-explai... [2]
| https://en.wikipedia.org/wiki/Horizontal_and_vertical_writin...
| [3] I studied Japanese in college lol
| hnfong wrote:
| You are right, but it can be argued that during the time the
| painting was made, vertical writing was the predominant form,
| and I don't know whether horizontal writing was a thing at
| the time in Japan...
|
| That said, as I implied in my other reply, the whole idea is
| a bit silly...
| akihitot wrote:
| Japanese is currently read and written from left to right.
| However, until about 80 years ago (before World War II), it
| was read and written from right to left--though this
| applied only to horizontal writing. Vertical writing is
| read from right to left, and this convention continues
| today; for example, Japanese comics (manga) are still read
| from right to left.
| Isamu wrote:
| When written horizontally it is now left to right but earlier
| you would see horizontal right to left. But vertical was
| preferred especially in the past.
|
| You can see horizontal train stop signs written right to left
| in "In This Corner of the World" anime. Today all signage
| seems to be left to right.
|
| [edit] The history section in Wikipedia explains that this
| was a postwar script reform.
| https://en.wikipedia.org/wiki/Japanese_writing_system
| kevin_thibedeau wrote:
| Horizontal right to left is an edge case of vertical
| writing with one character tall columns.
| kdheiwns wrote:
| In the time this art was made, top to bottom, right to left
| was the standard. It's pretty apparent when looking at any
| document from the Edo era. It's all top to bottom, right to
| left. Remnants of it are also clear in temples where the
| signs above doorways are written right to left, not even top
| to bottom. Plus every Japanese novel and manga today is still
| written top to bottom right to left.
| hnfong wrote:
| ... specifically, Japanese is traditionally written top to
| bottom, _then_ right to left. (In contrast, English is written
| left to right, then top to bottom.)
|
| So, armed with that knowledge, are you going to rotate it as
| well?
| filoleg wrote:
| If you are talking about page order or panel order (in
| something like manga), those go right to left. More
| specifically, manga panels follow the usual western comic
| book panel order, except with left and right flipped.
|
| However, when it comes to the actual text (regardless of the
| medium), it is always written either top to bottom or left to
| right. There is no right to left text writing in japanese.
| This isn't arabic, where text is indeed written right to
| left.
| mitthrowaway2 wrote:
| When written top to bottom, the columns are read from right
| to left. This is the most common format for printed text,
| especially in Hokusai's time.
|
| Also, when text was horizontal, it was frequently written
| right to left until the mid-1940s.[1]
|
| [1] https://www.mutantfrog.com/2009/08/08/the-history-of-
| japanes...
| itsthecourier wrote:
| it must be done, bro, for you, anything
| srean wrote:
| You mean like this
|
| https://en.wikipedia.org/wiki/File:Great_Wave_off_Kanagawa_-...
|
| His "Big Wave" has that right left position
|
| https://upload.wikimedia.org/wikipedia/commons/thumb/8/8d/Th...
|
| Love the birds in this one, especially the way it mirrors the
| wave crest fingers. Hokusai seems to have lunch ved these
| birds. They figure in his caged Bird pieces.
| lioeters wrote:
| That "Big Wave" variation with birds flying over the waves is
| strikingly beautiful. So dynamic and raw compared to the
| famous one. And how poetic the shapes of birds rhyme with the
| shape of waves. I'm gonna have to set aside some time to
| appreciate Hokusai's works again. Lovely.
| sph wrote:
| The wave/birds juxtaposition is very Escher-like
| srean wrote:
| Indeed.
|
| Check this out
|
| https://dl.ndl.go.jp/pid/1899550/1/11/
|
| I don't know whether Escher was familiar with Hokusai's
| work but they shared a common interest in tilings and
| tesselations. Damned if I can find those Hokusai sketches
| on the web now.
| lioeters wrote:
| Wow that is kind of mind-blowing. Looking through other
| pages, Hokusai is showing each "rule" (Fa ) and its
| application (tessalation) that produces the pattern. It
| makes me wonder about what kind of cultural exchange was
| happening between Japan and Europe at the time.
| srean wrote:
| Escher would be generations younger. However, I am
| curious about whether Hokusai encountered any Islamic
| art. Tesselations and symmetry play a big role in that
| one. I submitted ed this link as a separate HN post.
|
| https://news.ycombinator.com/item?id=47902993
| chickensong wrote:
| This is Shingata komon-cho Xin Xing Xiao Wen Zhang (Book
| of New Patterns) from 1824, held by the British Museum: h
| ttps://www.britishmuseum.org/collection/object/A_1973-072
| 3-...
| srean wrote:
| The wave is almost like a live character in this one. Like
| an angry god caught in a moment of fury.
| wonnage wrote:
| This is like saying westerners need to read mirrored manga to
| truly appreciate the artist's intent. You can just start
| reading from the right...
| rafabulsing wrote:
| I do think that there's some loss in translated manga,
| actually!
|
| When the mangaka is creating the layout, they're
| conceptualizing the flow not only of the panels, but also of
| the text inside panels, to be RTL.
|
| Translating the text into a LTR language without mirroring
| the image, makes it so that your eyes have to zig zag around
| a bit more, going RTL panel wise, but LTR text box wise.
|
| Compared to the problems that mirroring the art brings, I
| still think that's best compromise of the options, but
| doesn't mean it's not an actual impact on the experience,
| even if a subtle one.
|
| I have wondered before, though, about how had might it be to
| learn to read mirrored, RLT english. Might be a bit of a
| challenge at first, but would enable you to read translated
| manga RTL with no compromises (other than the inherent
| lossiness of language translation in general).
| wonnage wrote:
| I think there's already enough lost in translation that the
| text direction is the least of your worries haha
| rafabulsing wrote:
| For sure it's a very minor impact, all things considered,
| but an impact nonetheless.
| the_af wrote:
| I love pixel art and specifically monochrome pixel art like this.
|
| It's a pity this blog was so short lived, I can only see 7
| entries and only 2 Hokusai prints. Oh well, my own blogs usually
| don't fare much better.
| KaiserPro wrote:
| I _really_ like the layout and style of the site. I never had a
| mac growing up so its not a nostalgia thing, I just appreciate
| the compactness with contrast
|
| The art is also very good. Its hard to get that level of "colour"
| with limited resolution
| walrus01 wrote:
| The portrait mode black and white layout of this is similar to
| the high resolution black and white displays which were in use
| with some more expensive Mac based "desktop publishing" setups
| in the late 1980s and early 1990s.
|
| This was before anyone could reasonably afford a 20" full color
| monitor, and it also would have been too expensive or I/O
| intensive on the video expansion card to be capable of driving
| a 1280x1024+ monitor at 256 colors or better. I think also
| something related to being a crisper image with early 1990s
| tech level of CRT monitor re: dot pitch if the image was
| entirely black and white?
|
| For instance:
|
| https://www.reddit.com/r/retrocomputing/comments/1oim0m6/hol...
|
| https://www.reddit.com/r/retrobattlestations/comments/707q70...
| wpm wrote:
| The "dot pitch" is a measure distance between two "reds" of
| the dots in the shadow mask or the width between two reds on
| an aperture grille (which is really only horizontal dot
| pitch). Since black and white monitors don't have either,
| they can get much much sharper because that layer just
| doesn't exist. It's limited only by the focus of the beam and
| bandwidth/ frequency of the signal.
|
| (As my layman understanding goes that is)
|
| Monochrome CRTs are delicious to look at. A feast for the
| eyes. I love them. Compact Macs are often the cheapest way to
| get them, especially for their wonderful paper white
| phosphor, though I'm a sucker for amber phosphor.
| walrus01 wrote:
| That is indeed something I had forgotten, having not had to
| think about CRTs in detail for a long time... Here's
| something from 2001 when CRTs were still in common use also
| with details on the differences between shadow mask vs.
| aperture grill CRTs.
|
| https://www.tomshardware.com/reviews/a-thg-
| primer,393-3.html
| vardump wrote:
| Crispiness has a lot to do with DAC quality. That's why
| Matrox display adapters were so popular in the nineties.
| Crispy, high quality DAC.
| joe_mamba wrote:
| FYI, Hokusai also drew Hentai.
| tecleandor wrote:
| Sorry for the "actually", but Hentai didn't exist yet as a
| genre. It was "shunga", that is, erotic "ukiyo-e", a popular
| style at that time.
|
| Popular shunga works by Hokusai are "Two lovers" or the wrongly
| translated "The Dream of the Fisherman's Wife" (the original
| Japanese title is "female diver and octopus")
| joe_mamba wrote:
| Please NO need to apologize, I don't mind being corrected by
| men of culture when I'm wrong.
| sph wrote:
| So? Go play the morality police elsewhere.
| joe_mamba wrote:
| Excuse me but can you read? Where did you see me bringing up
| anything critical of morality in my statement about the
| author's work? Go play reddit moderator somewhere else
| please.
| sph wrote:
| What does your "for your information" bring to the table,
| other than sidetracking the discussion? What are we
| supposed to do with it?
| joe_mamba wrote:
| _> What does your "for your information" bring to the
| table, other than sidetracking the discussion?_
|
| Adding extra curiosity context, that other readers might
| not be aware of, is not "sidetracking the discussion",
| but simply contributing to the conversation while
| respecting the HN rules of "be curious".
|
| Now tell me what does your unwarranted criticism and
| personal insults bring to this discussion other than
| being an obnoxious PITA and breaking HN rules?
|
| Did your parents teach you, that you can criticize
| someone without insults?
|
| _> What are we supposed to do with it?_
|
| Same thing you do with any other curiosity info you read
| on HN.
| redsocksfan45 wrote:
| Very nice work. I've always loved the aesthetic of hand crafted
| monochrome pixel art.
| srean wrote:
| Previously discussed here
|
| https://news.ycombinator.com/item?id=35866283
|
| 72 comments
| SomeHacker44 wrote:
| Curious about the "no derivatives" license. Surely anything
| derivative would be of the original now public domain art and not
| this. I do not see how this could as a practical matter be
| enforced. IANAL though.
| jszymborski wrote:
| Well not if I take this 1 bit image and add my logo or remove
| his...
| teraflop wrote:
| Public domain isn't "viral" like copyleft.
|
| If I take something in the public domain and make a derivative
| work, the original remains in the public domain, and I retain
| ownership of whatever additions or modifications I created. So
| I can attach whatever conditions I want to the copying of those
| additions.
|
| For instance, Disney's "Sleeping Beauty" was protected by
| copyright when it was released, even though it was based on a
| centuries-old fairy tale that was in the public domain.
| cubefox wrote:
| More 1-bit pixel art:
|
| > MacPaint Art From The Mid-80s Still Looks Great Today -
| https://blog.decryption.net.au/posts/macpaint.html
|
| Previously discussed here:
| https://news.ycombinator.com/item?id=44540402
|
| This masterpiece by an unknown artist might be the best work of
| hi-res pixel art I have ever seen:
| https://blog.decryption.net.au/images/macpaint/lesson3d.png
| dietrichepp wrote:
| I also run some accounts on BlueSky and Twitter that focus on
| 1-bit art:
|
| https://bsky.app/profile/1bitdreams.bsky.social
|
| https://x.com/1BitDreams
|
| I see maybe 10 or 15 new pieces of 1-bit art posted on those
| platforms each week. A couple recent ones:
|
| https://bsky.app/profile/ncesium.bsky.social/post/3miwkrqev5...
|
| https://bsky.app/profile/oddbones.bsky.social/post/3mi7pedpn...
| grvbck wrote:
| > This masterpiece by an unknown artist
|
| Not unknown. It is signed "G. Clement", for Gerald Clement. The
| title is "Lesson 3d" because it actually is the third lesson in
| a tutorial for MacGrid, a software developed by Clement that
| teached people how to draw in MacPaint.
|
| https://macintoshgarden.org/apps/macgrid
| cubefox wrote:
| Wow, nice find, thanks!
|
| Here is the next picture, "Lesson 3 E. Morning Light":
|
| https://ibb.co/8DkdrG9q
| srean wrote:
| I am having a surprisingly hard time finding Hokusai's exercises
| on tesselations.
|
| Has search become really this bad !
|
| Anyway wanted to show his sketch of a bird behind chicken wire
| fence/cage. Similar birds here
|
| https://news.ycombinator.com/item?id=47901702
| abetusk wrote:
| The best I could find were these:
|
| https://archive.org/details/hokusaiimayoyhi00kats/page/5/mod...
|
| https://archive.org/details/imayoykushikisev1kats/page/19/mo...
|
| Are you sure you're remembering right?
|
| Here's archive's list of Hokusai books:
|
| https://archive.org/search?query=creator%3A%22Katsushika%2C+...
| srean wrote:
| Thanks for the links. There are one or two in common with
| what I had in mind. I suppose those weren't his 'published'
| works but personal studies in geometry and tiling.
| kevin_thibedeau wrote:
| The dead web makes things hard to find:
|
| https://www.rawpixel.com/image/7660768/image-art-vintage-pub...
| srean wrote:
| Oh nice. I had not seen this before but it fits the
| description very well -- birds and tiling patterns.
|
| The art work that I had in my had a swallow or a sparrow
| swooping down, looked at through chicken wire grid.
| usermac wrote:
| Having seen this image since inception, I never noticed Mt. Fuji
| in the background.
| IncreasePosts wrote:
| Its gotta be in there - that print (and 35 others believe it or
| not) are from hokusai's collection: Thirty-six Views of Mount
| Fuji
| bombcar wrote:
| Up until today I thought it was a tsunami painting
| dvh wrote:
| I didn't notice the boats
| vharuck wrote:
| A lot of Ukiyo-e wood prints have small details that mean a
| lot to locals. I enjoy learning about them on the NHK's
| English channel.
|
| In this case, the boats are fast (each has a bunch of
| crewmen) and were used to catch valuable fish. And the boats
| on the right have two people not at work (barely discernable
| in TFA's recreation). Those people were on break, getting
| ready to replace tired oarsmen. That way, the boat could be
| moving at all times.
| etothet wrote:
| I love this. In a world that is increasingly driven by AI, to me
| this highlights how important and mandatory human creation is in
| art.
| TacticalCoder wrote:
| By default for me site's font renders using severe sub-pixel
| anti-aliasing so it looks all colorful instead of good old Mac
| black and white. And it's very noticeable.
|
| Dig the wave though, upvoted.
|
| EDIT: and I think there's actually an issue... Somehow there are
| kinda vertical "bands" where the sub-pixel anti-aliasing shifts.
| Like I've got a few characters looking too green (on the entire
| vertical), then a band of pixels looking too red. Very strange.
| Firefox / Linux but others sites don't do that. First time I see
| those "bands" with a font using sub-pixel AA.
|
| 2nd EDIT: https://news.ycombinator.com/item?id=35866283 In that
| thread from 2023 on the same site, people are noticing the same
| weird rainbow/banding fx so it's not just my setup ; )
| Brybry wrote:
| Thanks for this. I was really confused while looking at the CSS
| and not seeing anything that could cause the rainbow effect I
| was looking at.
| pezezin wrote:
| I also noticed the weird rainbow pattern, I am relieved to know
| my monitor is not broken.
| convenwis wrote:
| I know this guy is doing this on actual Mac hardware but curious
| if there is a point of view on the best older Mac emulator out
| there? Ideally I'd like to run this on a current Apple Silicon
| Mac. It is hard to understand what is the best approach (which I
| realize might be because this is somewhere between legally grey
| and not legal). I don't want a browser based option.
| jervant wrote:
| Snow
| spicyjpeg wrote:
| I would recommend trying out Snow (https://snowemu.com/), a
| somewhat recently released 68000 Macintosh emulator that is
| cross-platform and focuses on low-level accuracy, unlike prior
| efforts which traditionally preferred HLE approaches and
| suffered from compatibility issues as a result.
|
| As with any other emulator, you will have to obtain system ROM
| dumps and disk images of the software you want to run. There is
| no clear precedent on the legality of acquiring said files
| through any means, however it's generally believed that you
| _should_ be in the clear if you dump them yourself from a Mac
| you own and an original physical copy of the software. Of
| course, doing so is non-trivial and requires at the very least
| a working Mac and a way to get files in and out of it (e.g. a
| SCSI drive emulator that uses an SD card for storage), so it 's
| understandable why virtually everyone resorts to the gray area
| approach of downloading ROMs instead.
| duskwuff wrote:
| Snow is great for what it is, but it's limited (for now) to a
| small set of early Macintosh systems, up through part of the
| Macintosh II series. Basilisk II and SheepShaver are still
| the best option available for later Macintosh systems.
| quag wrote:
| I've spent many hours using Basilisk II.
| greg_dc wrote:
| Man, this is the sort of stuff that makes me glad for Hacker
| News. Someone doing a hyper niche, high effort artistic project
| for no reward other than it's something they want to do. In a
| time where I have to second guess absolutely everything in case
| it's just AI slop there's something so wonderfully human about
| this sort of endeavour.
|
| I would never have known it existed and, in some tiny way, my
| life is better now that I do.
| noisy_boy wrote:
| Hokusai's work is amazing prima facie. But then when you download
| the archive.org pdf files (see links in comment from @abetusk)
| and start to zoom in, the mastery of the strokes just blows your
| mind. The skill is ridiculous. The stylization, the capturing of
| the essence of a bird turning its neck by basically the minimum
| possible strokes while maintaining the feel of dynamism and
| suspended motion, it is just too much. Nothing makes me more
| emotional and romantically sentimental of beautiful japan from an
| era, which in my logical head, I know had lots of hardships and
| difficult life. He still manages to put that aside by the sheer
| power of the infusion of tranquillity in his paintings. It makes
| me long for a time and place which I would never see and probably
| was a lot harsher than I can see through the mind of his
| brushstrokes.
|
| Hokusai has long been my favourite artist but I still keep
| finding more nuances in his work. He lived an 88-year long life
| dedicated to art. What an unbelievable genius master of a bygone
| era.
| harveynick wrote:
| You probably already know about this video series, in just in
| case you don't: https://youtube.com/playlist?list=PLK-
| Wicsj5rAasS2g7e-Z9eFUd...
|
| One of the most joyful things I've seen on YouTube.
| _kulang wrote:
| Perhaps you are unaware, but the great wave is a wood block
| print. That's not to say that the strokes aren't amazing, but
| they didn't need to be created in one pass
| eru wrote:
| And as far as I am aware, there are many prints. This was
| sold as an early mass market item. It was very popular.
|
| I'm not sure if he had multiple print runs from fresh
| carvings, or whether he only carved it once?
| saadn92 wrote:
| This is what keeps me coming back to HN. Someone spent years
| recreating woodcut prints pixel by pixel on a quadra 700 using
| aldus superpaint at 512x342. I feel like the constraint is what
| caused it to be. The 1-bit forces you to solve every gradient and
| texture with pure composition, which means you can't cheat with
| color or resolution. I forgot who said it, but constraints breed
| creativity.
| afc wrote:
| You're probably thinking of Walter Gropius, the founder of the
| Bauhaus school.
| srean wrote:
| I have been moaning about this n the comments below about not
| being able to find Hokusai's study on tesselations and patterns.
| Finally found it.
|
| https://dl.ndl.go.jp/pid/1899550/1/11/
|
| Have submitted as a post
|
| https://news.ycombinator.com/item?id=47902993
| msephton wrote:
| Impressions of The Great Wave Off Kanagawa Shen Nai Chuan Chong
| Lang Li are currently on view at a record 7 places around the
| world. https://greatwavetoday.com
|
| Each one of the remaining originals is subtly different due to
| the woodblock printing process, and must be stored for the
| majority of the time due to being susceptible to fading in light.
| francoi8 wrote:
| For those wanting to explore automatically converting art pieces
| to 1-bit you can use 8Bit Photo Lab on iOS or Android. Select the
| black and white palette and choose resolution and dithering type.
|
| Play Store:
| https://play.google.com/store/apps/details?id=com.ilixa.ebp&...
|
| App Store: https://apps.apple.com/us/app/8bit-photo-
| lab/id6759910005
| reaperducer wrote:
| On macOS, there's a great piece of freeware called Retro Dither
| that does the job well: https://apps.apple.com/us/app/retro-
| dither-b-w-is-beautiful/...
|
| /Not the author, just a satisfied user.
| nielsbot wrote:
| One more for iOS: BitCam
|
| https://apps.apple.com/us/app/bitcam/id1114990619
| mark-r wrote:
| Automatic conversion to 1-bit has been available since the
| 1980's. The trick is to do it artfully.
| taffydavid wrote:
| I never heard of 1bit art until quite recently and I'm loving it
| poly2it wrote:
| > This work is licensed under a Creative Commons Attribution-
| NonCommercial-NoDerivatives 4.0 International License.
|
| It would truly be a shame if somebody appropriated this unicum of
| a piece.
| neomantra wrote:
| Just yesterday I was looking for a free-as-in-freedom image to
| embed in my repo, and this gem popped up again!
|
| I'm adding a BubbleTea Picture widget to ntcharts. So the example
| is a (retro art of (retro art redone on retro tech)) done on (a
| redo of retro tech) ...
|
| I've added it, but it's still on a feature branch :
|
| https://github.com/NimbleMarkets/ntcharts/tree/picture/examp...
| glidefarrow wrote:
| I love this. Once I finish the 165x200 cross stitch I'm currently
| working on, I'd love to translate this to cross stitch.
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