,,,,,,,,,,,,,,,,,,,, September 18th, 2025 '''''''''''''''''''' Welcome to the latest entry in my blog about autism and sometimes music. It's been about a week since I last posted, and I had yet to get around to making a post about music, but luckily the stars aligned today. The day began with a bit of dysregulation, and I ended up retreating to music and my heating pad for about an hour before actually beginning my day. It's amazing how well that works, especially with the right band or song at the right time. It may seem pedantic to mention but I don't think anything has as an immediate, prolonged response on our emotions as music does. I know I've been using it to regulate my entire life, even if I didn't u nderstand what I was doing. Since the day I picked up a bass guitar to play in my stepdad's country band at 13, I knew music was a special part of me. Up until that point I had never had a "thing". My parents had put me in soccer and Karate when I was younger but physical activity wasn't my bag; I absolutely cannot stand the feel of sweat drying on my body, a sensory-avoidance issue I didn't understand how to communicate at the time. My main hobby had been reading, as I was never far from a book. Indeed the only way my mother could often find peace for herself was to stick a book in my hands, and thus she was liberal with their purchase back then. But when I discovered music everything changed. I believe guitar might have become my first special-interest. That first simple Andelusian cadence in Am was the key to unlocking a thrill that I now understand a little better; it gave me something to belong to. Even just in the context of being in a band, music creates a sense of community and collaboration that I personally have not found anywhere else. I wish I'd stuck with it, as a few years into my musicianship I discovered computers, the Internet and hacking, and my special-interest changed. But I never had a guitar too far away and usually found the time to spend a few minutes a day jamming around. That was until 2010 when I moved in with Margo. The only guitar I had by that point was a beat-up blue acoustic I had paid $70 for on eBay, and it wasn't an easy guitar to play. I went years with it sitting in the corner, and over half a decade without picking up an electric guitar at all. It's truly depressing how much skill I lost during that time; to this day there are things I cannot for the life of me figure out anymore that were once second-nature. I did finally get a new electric in 2018 but my skills were absolutely laughable by that point and I was discouraged. I didn't learn a single meaningful note between 2010 and 2021. Finding out my biological father had passed away rocked me when I found out. Our relationship was tumultuous to say the least, for reasons I won't go into in this particular blog entry. But one of the few things we did have was guitar, and my mourning process involved picking the instrument back up in a serious manner the likes of which I had not done in a decade. Not only did I start to play again, I started to learn again. At one point I was devouring a new song with my coffee every morning -- not the best way to retain new music, but fun nonetheless. I also tried my hand at recording, for the first time, using a digital interface to plug my guitar into my computer, and a Digital Audio Workstation software named Reaper. Beyond being able to simply record ideas, it was a lot of fun learning how to layer sounds and post-process and mix. I never got that great at it, as my focus was playing, but I vowed to return to it sometime when I felt that my skills with my instrument had sufficiently progressed. And then....my special-interest shifted, and I lost the music again. For four long years it eluded me. I'd occasionally pick up my guitar but there was no motivation or drive there. Every time I talked to my stepdad he'd ask if I was playing, and sometimes I'd lie just so he didn't worry. Don't ever do that, by the way. Lie to the people who are checking up on you. How can anyone help you if you lie? Anyway. Tangent. But when I got sober at the beginning of 2025 it coincided with me coming into a little bit of extra money, and I decided to treat myself with a new instrument: the much-coveted, elusive Gibson Les Paul. This was by far the most expensive guitar I had ever purchased; indeed, it was the most expensive single-item purchase I'd ever made outside of a car. My thought-process was simple: dress for success. If I surrounded myself with the trappings of a real musician, maybe I would start to realize the potential of a real musician. Maybe I'd feel so insecure about owning that guitar that I'd justify it's purchase by learning to play the damned thing. Surprisingly, it worked. I began to practice, daily. I bought new gear, I restored old gear. I stayed up all night long watching videos about guitar, reading articles about guitar. Studying music theory, a subject that had long fascinated me but that had always intimidated me. I even joined a community of guitarists on Discord, an early attempt at finding friends that unfortunately didn't pan out. But the rest of it did, and not only did I improve -- I improved fast, Really damned fast. I have a nickname among the guitar friends I did manage to make, now. They call me "the leveller". Because I level up my skills. Because I take my instrument seriously. Because I find new plateus every time I refocus my energy. And today I decided I was good enough. Not good enough to be satisfied. Music study is a lifelong endeavor, so satisfaction is out the window. And not good enough to play everything I want to play, either; there's still a lot of technique work ahead of me before I'm busting out Shawn Lane legato runs, for instance. But today I decided I was good enough to make music. Today was the day it stopped being about leveling, and is now about the emotion and passion once again. I have so many songs inside me, riffs and ideas that I've come up with over the last 9 months. It's time to bring them to fruition. So I pulled out my midi keyboard, learned how to apply patches, programmed the drum pad, and got to work. The music is back. ,,,,,,,,,,, Record Time ''''''''''' Today's Record Time will be a short one. "Powers of Ten" by Shawn Lane is the freshmen outting of one of the most underrated guitarists in rock history. Released in the mid-90s, the album ushers in rock/jazz fusion with virtuoso sensibilities that I find to be the greatest example of the genre. Shawn was one of the most technically gifted axemen of the era, and his blazing "outside legato" technique still stuns listeners almost 3 decades after hs untimely death. The middle of the album jumps away into symphonic prog territory, but the effort is bookended by pure fusion style.