Object: [1]application/x-shockwave-flash "The art of asking questions" PRINCETON UNIVERSITY PRESS 999 The Art of Asking Questions BY STANLEY L. PAYNE PRINCETON, NEW JERSEY 1-951 9?? 99? ??? 999 Copyright 1951 by Princeton university Press Second printing, 1954 Third Printing, 1957 Fourth Printing, i960 Fifth Printing, 1963 Sixth Printing, 1965 Seventh printing, 1965 Printed in the United States of America TO Claude Robinson WHO INSISTS THAT COMMUNICATION IS OUR GREATEST PROBLEM Foreword Although a number of books have already appeared in the relatively new field of public opinion and market research, there is no book like this one. It is important and timely as well as unique. It deals with the warp and woof on which all surveys depend * the use of words. "Spoken language," wrote Whitehead, "is merely a series of squeaks." And anyone who reads what Mr. Payne has written here will get a concrete understanding of what Whitehead meant when he said that "Language ... is always ambiguous as to the exact proposit ion which it indicates." There has been a long-standing and wide recognition of the care needed in asking the right question in the right way, as the author points out. But all too often this recognition seems to remain on the intellectual and verbal level of lip service with the importance of constructing the right ques- tion neglected in practice both in the survey operation itself and in the research conducted to improve methods. -The apparent reasons for the relative neglect of the area Mr. Payne has probed reflect the temper of the times. For one thing, those of us engaged in "research" like to think of ourselves as "scientists." We like to think that there are certain "rules" which we can discover and follow in order to be "objective." And we tend to think that if we can only quantify our material and manipulate it statis- tically, then, and only then, are we being "scientific." Hence, much of our research deals with technical problems of measurement. But the author quite bluntly s ays he is dealing with an art, not a science, and the title of this book reflects, I think, a correct understanding of scientific procedure itself. For nearly any scientist whom we or history would label as "great" agrees that it is quite mythical to think of the scien- [ vii ] tist as being "objective." The scientist is involved in making personal value judgments at nearly every stage of his work * in the setting of his problem, the selection of the aspects of the problem which he feels are crucial and should be investi- gated, the selection of the method he will use for his in- vestigation, as well as the interpretation of his results. Real scientific research of any kind is rooted in value judgments. The list of outstanding scientists in any field would show that these men and women were essentially great artists in the sense that they had the intuitive capacity to ask themselves the right questions in the right way at the right time. The intuitive hunches or hypotheses which have g iven us giant strides in our understanding of nature or of human nature have seldom been created by following any rule of thumb or any one method. And especially in. the area of inquiry with which the author deals here, the number of variables that must be implicitly taken into account are legion. They are also subtle and they defy quantification. They cannot be unwoven and analyzed independently for each depends on the others for its own existence and func- tion. Survey, questions tap an individual's motives, his expectancies, his unique experiences, his whole range of identifications and loyalties. In short, they are trying to discover certain aspects of what we might call an individual's assumptive world, a world which he himself has constructed during the course of life as he has attempted to work out a set of conditions within which he can satisfy the urges that characterize him as a human being. Since the framing of the right question in the right way does involve so many subtle aspe cts, an investigator's in- tuitive ability to devise the right questions will be propor- tional to the number of cues and signposts he takes account of consciously and unconsciously as he goes about his task. The insights and cautions the author points out in the present [ viii ] volume should go far to increase the range of inclusiveness of the cues which investigators who study this volume can bring to bear in the process of question construction. Yet even if an investigator does test his question against the sample one hundred considerations the author cites at the end of the volume, he must remember that he is still being an artist, that he still has the intuitive value judgment to make of how to weigh and integrate these one hundred considerations in relation to the concrete situation he is try- ing to get at. In addition to our bias of wanting to keep research "scien- tific" in an artificially restricted way, there may be another reason why no book like this has so far appeared i n spite of the crucial nature of the problem. This is the tendency for those persons who reach high degrees of skill as practitioners to hesitate or neglect to try to put down in print some ver- balization describing the skills they have attained. Many times such practitioners have little interest in doing this; usually they are too busy; some have no particular facility to generalize from rich backgrounds of / experience. As a consequence, those of us who do not have the opportunity, the inclination, the ability, or the stamina to put ourselves in the position of participating in the actual occasions that constitute a certain area of life, may be forced to operate in a comparative darkness which we should like to have reduced. In so far as; an investigator is not constantly forced to test his assumptions as to what constitutes a good question in actual situations, he may tend to create in his mind, for reasons of expediency, an image of a non-existent "average" respondent. And he may do th is even though, intellectually, he may realize fully that there is a long and devious route from the central office where questionnaires are designed on the basis of a certain amount of pretesting to the final re- porting of the answers interviewers send in. Mr. Payne is one of those rare individuals who has taken [ ix ] time off to try to find out what this experience adds up to and how the art of asking questions may be described. A book as rich in insight as this could only have been written by someone who has had long and varied experience and who has sensed the difficulties encountered in real situations. The problems he raises and the answers he gives are derived directly from concreteness. And it is these problems derived from concrete experience that the academician or the in- vestigator whose job confines him primarily to a desk are apt to be unaware of. Perhaps the author's major contribution is his own formulation of what questions to ask about asking questions. While this book is written chiefly with the practical, everyday problems of question wording in mind, it is by no means confined in its usefulness to those people whose job it is to construct or to ask questions. For the problems the author raises and the illustrations and data he brings to bear on these problems pose a number of questions of theoretical interest for specialists in a variety of areas. The sociologist will see in Mr. Payne's material problems relating to con- cepts such as class, status, and social change; psychologists will see problems related to concepts such as frame of ref- erence, ego involvement, and the attributes of opinion; semanticists will find documentation for many of their generalizations dealing with sources of misunderstanding as men try to communicate with one another. The reader should be forewarned that the easy and light style of Mr. Payne's writing should not obscure the difficult and serious problems he writes about. The author has de- liberately tried to write an interesting, highly readable' book. I believe he has succeeded. And I believe that even the most experienced investigator, if he has a sense of humility at all, will learn a great deal from this little volume. Hadley Cantril Princeton University Princeton, NJ. Preface In the first place, this little book was not written by an expert in semantics, not even by a specialist in question wording. The author is just a general practitioner in research. Having made more than my share of mistakes in phrasing issues for public consumption and feeling the need for a book on the subject, I found that it was necessary to write it myself. In the process, my respect for the semanticist has increased beyond words. He is smart enough to use symbols to represent his ideas, but I have been so foolish as to try to use words in talking about words. In the second place, this book is very limited in its subject matter. It discusses the wording of single questions almost exclusively. It hardly touche s upon problems of question sequence or the overall matter of questionnaire design. It seemed difficult enough to deal with wording alone. Perhaps another book and another writer will cover these other subjects. / Third, the reader will be disappointed if he expects to find here a set of definite rules or explicit directions. The art of asking questions is not likely ever to be reduced to easy formulas. As it stands, this book consists of some observations of human behavior, a few principles of wording, many exceptions to these principles, several unexplained odd- ities, and numerous unsolved dilemmas. It is undoubtedly richer on the how-not-to side than on the how-to side. For i want of a better description, it might be thought of as a collection of possible considerations for question wording. Fourth, I happen to think that even a serious subject can be treated too seriously. Consequently, I have included some of the amusingland perhaps irrelevant ideas which occurred to me as I wro te. In other words, I have enjoyed writing this book. I hope you will enjoy reading it. [ *i ] Last but not least, my apologies and thanks to all the people who graciously consented to read the original manu- script. I have not always acted on their suggestions, but I do appreciate their aid and counsel. Among those friends and colleagues whose criticisms have been especially stimulating are: Joseph Bevis, George Caldes, Frank Chokel, George Cole, Thomas Crawford, W. Phillips Davison, Richard Ditt- mer, Kendrick Few, Kenneth Fink, LeBaron Foster, Joseph Goeke, Joseph Hochstim, Arthur Holland, Roger Lloyd, Robert Mayer, Raymond Nasssimbene, Benjamin Phillips, Donald Rugg, Esther Schwartzstein, J. Stevens Stock, Knute Warren, and Albert Westefeld. My strongest plea for for- giveness and deepest appreciation go to Lucy Leigh, who. so obligingly labored over every word with me. Stanley L. Payne PROPERTY OF 7h" Kansas S.ate University of Agriculture (J Applied Science TC M India. [ xii ] Contents Foreword by Hadley Cantril Preface 1. Why concern yourself? A plea for the importance of asking good questions 2. May we presume'? A lecture on taking too much for granted 3. Who left it open? A description of the free-answer question and its demerits 4. Boy or girl ? A discussion of the two-way question and its duplicities 5. Win, place, or show? / A discourse on the intermediate nature of the mul- tiple-choice question and its misconstructions 6. How else? Descriptions of special types of questions and their special faults 1 7. Still beat your wife? A sermon! on the care and treatment of re- spondents J i 8. Can you make it brief? An illustrated lecture on the virtues of brevity and simplicity 9. What's thejgood word? A futile search for a list of perfect words, sup- plemented by a list of 1,000 well-known words [ xiii ] 10. What's wrong with "you"? 158 A rogue's gallery of problem words, with case histories 1 1 . Isn't th at loaded ? 177 An admission of guilt, with extenuating par- ticulars . 12. How does it read? 203 A short lesson in punctuation, phonetics, abbre- viations, etc. 13. Is it possible? *>' 214 A visuaLdemonstration of the development of a passable ''question or 14. How's that again? 228 A concise check list of 100 considerations References 239 General Index and Index of Examples 243 [ xiv ] ?